Countertenor

Countertenor Anthony Roth Costanzo began performing professionally at the age of 11 and has since appeared in opera, concert, recital, film, and on Broadway. In June 2024, he began his tenure as the General Director and President of Opera Philadelphia.

He has appeared with many of the world’s leading opera houses including the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Opera National de Paris, English National Opera, Houston Grand Opera, Opera Philadelphia, Los Angeles Opera, Canadian Opera Company, Glyndebourne Opera Festival, Dallas Opera, Teatro Real Madrid, Spoleto Festival USA, Glimmerglass Festival (where he served as the 2023 Artist in Residence), and Finnish National Opera.

In concert he has sung with the New York Philharmonic (where he was named The Mary and James G. Wallach Artist-in-Residence for the 2021-22 season), The Cleveland Orchestra, National Symphony Orchestra, San Francisco Symphony, Met Orchestra Chamber Ensemble, Boston Baroque, Berlin Philharmonic, NDR at the Elbphilharmonie in Hamburg, and the London Symphony Orchestra, among others. He has also been presented in recital in Vancouver, Princeton University Concerts, Duke Performances, and at the Morgan Library in New York. He has performed at a wide-ranging variety of venues including Carnegie Hall, Lincoln Center for the Performing Arts, Versailles, The Kennedy Center, The Metropolitan Museum of Art, Jordan Hall in Boston, Wigmore Hall in London, National Sawdust, Minamiza Kyoto, Joe’s Pub, The Guggenheim, The Park Avenue Armory, and Madison Square Garden.

Mr. Costanzo’s most recent album, Anthony Roth Costanzo & Justin Vivian Bond: Only an Octave Apart was released in January 2022. His first solo album, ARC was released in September 2018 and nominated for the 2019 GRAMMY Award for Best Classical Solo Vocal Album. He also stars on the Metropolitan Opera’s recording and DVD of Akhnaten which won the 2022 GRAMMY Award for Best Opera Recording.

A champion of new work, Mr. Costanzo created roles in the world premieres of John Corigliano’s The Lord of Cries and Gregory Spears’ The Righteous at the Santa Fe Opera, Jimmy Lopez’s Bel Canto at the Lyric Opera of Chicago and Jake Heggie’s Great Scott at the Dallas Opera. He has also premiered works written for him by Joel Thompson, Matthew Aucoin, Paola Prestini, Gregory Spears, Viet Cuong, Carlos Simon, Suzanne Farrin, Bernard Rands, Scott Wheeler, Mohammed Fairouz, Steve Mackey, and Nico Muhly.

Mr. Costanzo has begun working as a producer and curator in addition to his singing, creating shows for The BBC Proms, The New York Philharmonic, Opera Philadelphia, National Sawdust, the Philharmonia Baroque, The Barnes Foundation, St. John The Divine, Princeton University, WQXR, The State Theater in Salzburg, Master Voices and Kabuki-Za Tokyo. During the 2020-21 season, he created and produced the New York Philharmonic’s Bandwagon initiative, the orchestra’s innovative response to the pandemic. It began with 81 impromptu concerts in all five boroughs of New York City, where Mr. Costanzo, musicians from the orchestra, and other special guests performed a wide range of repertoire, including world-premiere commissions. It evolved into a series of festivals created with partner organizations throughout the city, which utilize the resources of the Philharmonic to center and amplify the voices of the community.

Mr. Costanzo was the recipient of the 2020 Beverly Sills Award from the Metropolitan Opera, a winner of the 2020 Opera News Award, and the 2019 Musical America Vocalist of the Year. His many other awards include first place in the 2012 Operalia competition, a Grand Finals Winner of the 2009 Metropolitan Opera National Council Auditions, a George London Award, a career grant from the Richard Tucker Foundation, and the first countertenor to win First Place in the Houston Grand Opera Eleanor McCullom competition, where he also won the audience choice prize. He has also received a Sullivan Foundation Award, and won First Place in the Opera Index Competition, the National Opera Association Vocal Competition, and the Jensen Foundation Competition.

Mr. Costanzo graduated Magna Cum Laude and Phi Beta Kappa from Princeton University where he was awarded the Lewis Sudler Prize for extraordinary achievement in the arts and where he has returned to teach. He received his Masters of Music from the Manhattan School of Music, where he now serves on the board of Trustees as well as on the board of the National Black Theater. In 2024, he has been a fellow at Oxford and a Distinguished Visiting Scholar at Harvard University.

Mr. Costanzo began performing professionally on Broadway and in Broadway National Tours including A Christmas Carol, The Sound of Music, and Falsettos. He began his operatic endeavors playing Miles in The Turn of the Screw and shortly thereafter sang alongside Luciano Pavarotti. In film, he played Francis in the Merchant Ivory film, A Soldier’s Daughter Never Cries, for which he was nominated for an Independent Spirit Award, Simon in Brice Cauvin’s De particulier a particulier, and made a cameo appearance in Rebecca Miller’s She Came to Me. He is also the first countertenor to host Met Opera Live in HD Broadcasts.

This season, Mr. Costanzo returns to the Boston Lyric Opera to produce and star in The Seasons, a new work incorporating the music of Vivaldi, co-created and written by the renowned playwright and poet Sarah Ruhl. He also stars in and creates a one-man rendition of The Nozze di Figaro in the inaugural season of Little Island’s new performing arts series in New York, returns to the Detroit Opera as the title role in Rinaldo, and makes his Bay Area recital debut with San Francisco Performances.

Pianist

Canadian pianist and vocal coach Bryan Wagorn regularly performs throughout North America, Europe, and Asia as soloist, chamber musician, and recital accompanist to the world's leading singers and instrumentalists

Bryan has appeared on major television and radio stations including Good Morning America, WQXR and CBC Radio, and has performed in recital for the George London Foundation, the Marilyn Horne Foundation and Richard Tucker Foundation.

A participant at the Marlboro Music Festival, and music staff at the Glyndebourne Festival, Mr. Wagorn has also been engaged as Staff Coach at the Ravinia Steans Music Institute, and served on the faculty of the National Arts Centre Orchestra’s Summer Music Institute and Carnegie Hall's National Youth Orchestra. He has been a guest coach at the Royal Academy of Music in London, the Metropolitan Opera's Lindemann Young Artist Program and at the Glyndebourne Festival’s Jerwood Young Artist Program. He made his solo recital debut at New York's Carnegie Hall in 2009, and has performed two extensive tours with Jeunesses Musicales de Canada, and performed chamber music with members of The Metropolitan Opera  Orchestra, the New York Philharmonic, The Philadelphia Orchestra, and the Chicago Symphony. Mr. Wagorn is also on the advisory board of the Hildegard Behrens Foundation and the Time In Children's Arts Initiative.

Mr. Wagorn holds degrees in piano performance from the Royal Conservatory of Music in Canada, the University of Ottawa, the Mannes College of Music, and a Doctor of Musical Arts degree from the Manhattan School of Music. He is a graduate of The Metropolitan Opera Lindemann Young Artist Development Program, and serves on the faculty of Mannes College of Music.